audience is proof that REM’s stylistic changes have not strayed away from the most important aspect of the band’s career, making good music. Before the concert actually began I interviewed a few members of the audience to get their take on REM’s ever-changing musical direction. One Japanese guy in his mid-20’s told me that he started listening to REM after their Monster album, and was not familiar with any of the music before that 1994 release. He knew of their earlier work such as Murmur and Document, but just didn’t have the interest. Another Japanese guy in his early to mid 30’s confessed his favorite album was 1991’s Out Of Time, which includes such famous songs as “Losing My Religion” and “Radio Song.” I also had the pleasure of sitting next to a cool girl from Adelaide, Australia, who was a fan of their entire catalog. During almost all the songs you could see her lips in perfect synchronicity with Stipe, almost as if she was feeding him the lyrics to his own songs. A lot of critics of their new sound don’t notice that REM has become a voice of two generations. The younger generation has more of a chance to relate to songs like that of Around the Sun’s “Final Straw,” rather than Document’s “Finest Worksong.” For example, it’s hard to imagine a new REM album consisting of songs like “Stand” or “It’s The End Of The World (And I Feel Fine)” because those are classics and representative of the time they were made. (pull)When people in their mid 30’s and above think of REM, the early portion of their career instantly comes to mind, but what about those people who are in their 20’s?(/pull) Songs like “Lotus,” “What’s The Frequency, Kenneth?,” and “At My Most Beautiful” have all become anthems to a new generation of listeners. It’s now 7:30 pm, and as the lights begin to dim as the crowd rises to its feet awaiting the first glimpse of REM, who has only toured Japan as little as three or four times throughout their entire career. After coming on stage, the boys from Athens, Georgia started their show with Monster’s “I Took Your Name,” and soon after they went into the always energetic single from their Best Of album, “Bad Day.” The first thing everyone noticed when they hit the stage was the interesting face-paint/mask sported by Stipe around his eyes, as if to hide his eyes from the audience. Every song held a unique ambience created by color coordination in relation to the vibe of the song. Before going into “Walk Unafraid,” Stipe gave a brief vocal range demonstration to the Japanese audience, and then instantly the lights changed colors, and the song began. During the guitar solo for “Walk Unafraid,” a purple strobe light effect flashed throughout the entire auditorium; and on stage was Stipe dancing from side to side, as fans close enough reached out for a chance to touch him. When they played the song, “Losing My Religion,” an all red color scheme enhanced the emotion-filled lyrics sung by Stipe. They also played a few tracks from their new album, Around the Sun, like “Leaving New York” and “The Outsiders,” but Stipe sang Q-Tip’s part, and actually rapped pretty well.
Set List
Osaka, Japan [3-18-05]
I Took Your Name
Bad Day
So Fast, So Numb
Animal
Strange Currencies
The Outsiders
So. Central Rain (I’m Sorry)
High Speed Train
Exhuming McCarthy
Leaving New York
Orange Crush
I Wanted To Be Wrong
Final Straw
The One I Love
Walk Unafraid
Imitation Of Life
Losing My Religion
What’s The Frequency, Kenneth?
Everybody Hurts
Electron Blue
Nightswimming
Find The River
The Great Beyond
I’m Gonna DJ
Man On The Moon
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