Forming less then three years ago, The Fire and Reason features Brazil’s Bella Saona and Ecuador’s Steve Narvaez who joined forces to create some of the dirtiest rock, baille-funk-electro-pop dance music blasting out of New York City.

In the classic song “How High”, Redman says “I get it on like Smif-N-Wess, who cliques the best.” He answers the question on the BO2 intro with “talk that greasy, on and off tv, even pigs love the bosshogg’s cd, what you find hard, I do it easy, I could see why the next guy want to be me.”

Kelly Slater says in interview footage: “A one tracked mind is a good thing to have, at the right time.” The young guns featured in the movie seem to have taken that statement to heart, a point subtly made by Malloy and his team.

From start to finish Magnetic is a rollercoaster of liquefied intensity. If you were to put a lump of coal inside one of Xzibit’s pimped out cars and let all 74 bone crushing minutes of this album ride in the sound system, you would end up with a diamond as big as your head.

For most fans of drummer Larry Mullen. Jr, bassist Adam Clayton, guitarist The Edge, and vocalist Bono, these are the periods that define their loyalty to a band known as U2. But this devotion only covers two-thirds of a career that spans three decades. In the last 10 years alone U2 have released three albums: All That You Can’t Leave Behind (2000), How To Dismantle An Atomic Bomb (2004), and most recently, No Line on The Horizon (2009), which means that kids who are 18 years old today were nine when the smash hit single, “Beautiful Day,” first hit airwaves.

From the banshee screams that complete 1971’s “Echoes” to the squealing pig noises of 1977’s “Pigs (Three Different Kinds)” drummer Nick Mason, bassist Roger Waters, keyboardist Richard Wright, and guitarist/vocalist David Gilmour, created some of the most unique music the world has ever known

It’s no accident that Global Underground chose this charismatic pair of DJs to deliver their special recipe of spicy house beats laced with soul-clenching synths on GU’s most recent electronic opus. Layo Paskin and Matthew “Bushwacka!” Benjamin’s story originally dates back to 1993, when Layo was promoting the “Too Much Music” warehouse parties throughout London.

Not only does this album reveal another dimension into Chris Cornell’s bottomless soul, it give listeners insight into how this man re-built himself mentally and emotionally from past demons.

Groundbreaking, chart-topping electro legends Depeche Mode are proud to announce the release of their long-anticipated new studio album, Sounds Of The Universe on April 21, 2009 (Mute/Capitol). Eclectic and energized, the band’s new release is their most dazzling and diverse album in decades.

Queens-born lyrical shapeshifter, Pharaohe Monch, has been composing so called “conscious” music since he teamed up with Prince Poetry to form Organized Konfusion in the early 90’s.

They say that in the worst of times, in the most dire of situations that often the most important, most miraculous people can arise from the ashes. Coming off of a year in which the art of hip-hop was accused of being deceased and done with, this Brooklyn born emcee has come to stake a claim….

Layo & Bushwacka! are one of electronic music’s most esteemed duos. Comprising of Matthew ‘Bushwacka’ B, a percussionist in the London School Symphony Orchestra and Layo Paskin, a North Londoner immersed in the acid house scene, before together setting up their world renowned night club, The End.

With the help of five singers, two percussionists, a horn section, a bass player, and a sitar player Garza and Hilton set out to bring that big band party vibe to their loyal fan base from around the world.